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Ze plaatst Homerus in een deeltjesversneller om in de versplintering van oude betekenissen een spiegelbeeld van onze huidige tijd te schetsen
it is “collars of blood
hoods of trucks
estrangement
Faulknerian in its themes and in its taste for the baroque
La rabbia / Anger Morgen wordt het voor iedereen maandag Ze plaatst Homerus in eenPier Paolo Pasolini (trans. Cristina Viti) Written in response to producer Gastone Ferranti's request for his comments on a set of newsreel items, the poet would respond with a montage of his own. Via the unfolding of a chrysalis of images, in La rabbia (1963), Pasolini's lens pans over Soviet repression in Hungary; the Cuban revolution; (the utopian object of) space exploration; political imprisonment in Algeria; the liberation of the former European
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